writing Challenge Tuesday
writing Challenge Tuesday
I finished the first two chapters of my book, and sent them to my agent. I'm sure I'll need to revise. Just waiting for the notes. Worked a bit on my YA paranormal. I need to pay more attention to my scenes, and make sure they have a beginning, middle, and end. In other news, instead of curling up on the end of the couch and typing on my laptop, I'm buying myself a desk today. Hopefully, sitting in a good chair at a desk will help my back stay healthy (had a very bad back problem that resulted in an operation a few years ago).I'll post a picture of my new "office" once I have it all set up. Coll
Wednesday: Interview with author Aimee Friedman
SEA CHANGE by Aimee Friedman
16-year-old Miranda Merchant is great at science...and not so great with boys. After major drama with her boyfriend and (now ex) best friend, she's happy to spend the summer on small, mysterious Selkie Island, helping her mother sort out her late grandmother's estate.
There, Miranda finds new friends and an island with a mysterious, mystical history, presenting her with facts her logical, scientific mind can't make sense of. She also meets Leo, who challenges everything she thought she knew about boys, friendship...and reality.
Is Leo hiding something? Or is he something that she never could have imagined?
How long have you been writing?
Ever since I COULD write! Seriously. I have very vivid memories of writing my first stories around the ages of 5 and 6, and feeling even then that this was something that gave me a lot of joy and fulfillment. I basically haven't stopped since.
Do you have formal writing training?
I took several creative writing classes in college, which were really helpful and challenging--it was in those classes that I began to see writing as a craft, as hard, painstaking work--more than just a hobby. I think it's good for writers to take at least one writing class, but it's certainly not necessary. I still believe that the best writing is the kind that isn't over-thought or over-structured.
What was your agent search like?
I actually don't have an agent! I'm one of those rare exceptions, but that's only because I work in publishing, and got my start as an author that way. I'm actually in the process of signing with an agent right now, and the best advice I can give to new authors on this is to go with someone you have a good gut feeling about, someone whom you trust and sense will be as invested in your creativity and career as you are!
Was there a particular incident that inspired you to write SEA CHANGE?
I've always loved mermaid stories--from the classic Andersen fairy tale to the movie "Splash." I got the idea for Sea Change while I was riding a ferry to Governor's Island, a small island off the tip of Manhattan. I was looking down into the foamy water, thinking about all the ocean mythologies, and I wondered about reversing the traditional gender roles: what if the girl was the human, and the boy the sea-creature? From that Sea Change was born.
Did Sea Change go through many revisions? Outline? Yes or no?
I usually outline all my books, and Sea Change had a rough outline, but overall, its beginning and ending went through the most changes. Originally, I had the story open in New York City, with Miranda hearing the news of her grandmother's death, but my editor very wisely suggested I start the story with Miranda en route to Selkie Island. And the ending I'd had planned originally was less ambiguous than the current ending, but the current ending felt more right to me as I was in the midst of writing.
Were you always interested in legend and lore?
Yes! I grew up with my mother telling me fairy tales every night before bed--not just your standard Disney fare, but elaborate Russian and Hungarian folk stories (my parents are both from Eastern Europe). I love learning about the legends and lore of specific places (such as the islands off the coast of Georgia, where I decided to set Sea Change)--it's a rich, juicy, fascinating way of learning history.
I read that you were selected to go to a high school that specialized in science. It reminds me of your protagonist Miranda. Is there a lot of "you" in Miranda?
Yes, like Miranda, I went to Bronx Science for high school, but unlike Miranda, I was never an aspiring scientist, and I always preferred English and History to Math and Physics. In some ways, Miranda represents the way I often wish I could be: level-headed and rational. I tend to be much more of a drama queen than Miranda...in terms of characters, I'm much more like the character of Katie in my novel, THE YEAR MY SISTER GOT LUCKY, which came out last year!
The imagery used to describe Selkie Island seems so authentic. Did you often vacation at the beach as a child? Did you visit an island similiar to Selkie as part of your research?
I love the beach--must have to do with my being a Cancer. To do research for Sea Change, I took a wonderful trip out to Tybee Island, which is right near Savannah, and spent a lot of time soaking up the beach and the local flavor.
Do you feel mythical creatures are based on some sort of reality? Could they still exist? ie. Loch Ness, Bigfoot.
The tiny, tiny rational scientist voice in me says "no way." But the much louder, writerly, what-if? voice in me says "I hope so!"
What can we look forward to reading next? Any new books coming out soon?
I'm currently working on a book for younger readers that's a spooky story, which has been a lot of fun. I have a new YA novel in the planning stages, and a sequel to Sea Change in mind! Stay tuned!
For more information, visit Aimee at: www.aimeefriedmanbooks.com
Thursday Industry News:
Margaret Halton is returning to the agency side of the business after work on an interim basis as adult rights director for Pan Macmillan. She is joining Rogers, Coleridge and White part-time, providing maternity cover for Laurence Laluyaux, the Bookseller reports. Previously Halton was foreign rights director at ICM's UK office.
Nancy Yost is leaving Lowenstein-Yost Associates Inc. to start up her own literary agency. She may be reached at nancy@nyliterary.com.
Literary agents Serafina Clarke and Brie Burkeman have combined their two companies to establish Brie Burkeman & Serafina Clarke Ltd., specializing in high quality commercial writing across all mediums.
Bleak House founder Benjamin Leroy and his colleague there Alison Janssen are leaving the crime and literary fiction publisher to start a new house, Tyrus Books. Leroy is the publisher, and Janssen is senior editor (and Donna Bagdasarian's recent new literary management agency Publication Riot Group is handling rights.)
Ruth Katcher has joined Egmont USA as editor-at-large. Most recently she was an executive editor at Harper Children's.
This is so sad:
Portland, OR-area bookseller Stephanie Griffin closed her store Twenty-third Avenue Books in January and then became homeless. "Startled neighbors discovered this in June" as "Griffin had started panhandling outside her old store," Willamette Week writes. Neighbors have set up a relief fund:
Donations can be made to Stephanie Griffin Fund, c/o Glenda Magistrale, Consolidated Federal Credit Union, 2021 NE Sandy Blvd., Portland, OR 97232
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Whatever Wednesday…
Spent the morning at the hospital with my son. More docs. More tests.
Utilized 2 hr wait to formulate questions for my blog's first author interview!
Came home. Baked an Irish Pound Cake (why is Irish in the title? Might have something to do with the whiskey required for the recipe).
Industry news tomorrow.
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Tuesday writing challenge…
My writing challenge is to attempt to give my characters more depth. I tend to gloss over characterization, and go for the action. Now, after letting my novel sit for about a month, I plan to dive back in with this new objective. -----also, for my current book, I will be baking fifteen cakes this week. So far, four winners!
